The Scandal of Billions Spent on Decadent Contemporary Art: When the Ministry of Culture Funds the Absurd
The expression of intellectual and snobbish decadence
What art "schools" lead us to see!
the art of decadent provocation, the art of provocation for the buzz, the buzz for the buzz, the decline explained by contemporary art,An anus for the buzz
The Ministry of Culture supports decadent production, which does everything to provoke and make people believe in fashionable art.
Decadent Contemporary Art the ministry of scandal
The Scandal of Billions Spent on Decadent Contemporary Art.
The Ministry of Culture, supposed to be the guardian of our artistic heritage and the promoter of creativity, finds itself today (as it has for a long time) at the source of a financial and intellectual scandal. With a budget of 4.5 million euros allocated to organizations such as the FRAC (Regional Contemporary Art Funds), the CRAC (Regional Contemporary Art Centers), the CAC (Contemporary Art Centers) and other similar structures, one is entitled to wonder where public money is going. Because what these institutions claim to promote under the name of contemporary art looks more like a vast hoax than a true promotion of culture.
Contemporary art, a €4,500,000 mess (four billion five thousand Euros)
The expression of snobbish stupidity or how to remain in awe in front of piles of stones!
Contemporary Art or the Apology of the Absurd
What is immediately striking is the nature of the works financed by these public funds. Rusty bars of scrap metal lying on the ground, improbable structures without head or tail, installations that defy all aesthetic or conceptual logic... This is what the taxpayer is asked to finance. These works, often devoid of any apparent meaning, require dithyrambic speeches from curators or exhibition commissioners to try to give them legitimacy. We then witness an exercise in intellectual contortion where it is explained, with a lot of jargon, why a pile of industrial waste or an overturned chair would in reality be a profound critique of post-modern society.
the ministry of scandal
Google's suggestions are "children's playground." It doesn't recognize the sculpture...
We could also say "pile of scrap metal"....
The Role of Curators: From Culture Brokers to Wind Sellers
Curators, once respected for their expertise and ability to bring authentic works of art to light, are now reduced to playing fortune tellers . Their mission? To find meaning, depth, and value in creations that, without their verbiage, would be just that: uninteresting objects. This situation is not only humiliating for art professionals, but also misleading for the public, who are forced to accept a vision of art that is disconnected from any tangible reality.
If you don't understand decadent contemporary art, look at this picture.
A Squandering of Public Funds
While thousands of euros are being sunk into these obscure projects, other sectors of culture, such as the preservation of historical heritage, the promotion of classical arts, or the support of talented emerging artists, are being left behind. How can such expenditures be justified for works that, far from inspiring admiration or reflection, most often provoke incomprehension or ridicule? This irresponsible financial management raises questions about the governance of the Ministry of Culture and the criteria used to award these grants.
Google keywords! Are we kidding?
installation, installations, hangers, frame, zimmer, performance space, large group of objects, ski poles, floor installation, group of objects, art installation, tripods, contemporary art..., finally!... PHEW!
Contemporary Art : A Disconnected Elite
This scandal highlights a deeper problem: the disconnect between a certain snobbish, speculative artistic elite and the general public. While the French yearn for an accessible, enriching, and meaningful culture, they are being forced to accept works that seem designed for an informed minority, capable of deciphering obscure messages or marveling at a simple smear of paint. This divide between institutional contemporary art and the public is a resounding failure for a cultural policy meant to unite and uplift.
Contemporary art: the scandal of billions spent on friends.
Between curiosity and social events, decadent contemporary art attracts.
The Ministry of Culture is the Ministry of Waste.
For a Return to Common Sense
It's time to put an end to this financial waste and refocus the Ministry of Culture's efforts on projects that truly deserve support. Art must be a vehicle for beauty, reflection, and sharing, not a pretext for narcissistic experimentation or wasteful public spending. The FRAC, CRAC, and other CACs must be thoroughly reformed to stop funding the absurd and focus on works that honor artistic creation rather than ridicule it. The public deserves better than iron bars and empty rhetoric: it deserves art that uplifts the soul and justifies the millions spent in its name.
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