The female body in a sensitive and embodied description Arson, with his sculptures, seems to emerge from a world where the female body is never decorative, but charged, conscious, resistant. Each form is a physical statement, each association with an object becomes a symbolic act.

Nude is no longer a tribute — it's an insurrection Classical sculpture exalted the female nude with restraint: bodies frozen in icy perfection. In Arson's work, this aesthetic is exploded . His carnal volumes don't flatter, they question. They slam like visual slogans, flirting with the indecent to better reveal the hypocrisy of the gaze. Jenny Saville paints the body in its surgical rawness. ORLAN manipulates her own face to question norms. Arson , for his part, sculpts