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Incorrect Art in the Feminine (4): getting out of a formatted world.
Art doesn't need a license
You don't wait for someone to let you create: you create.
The art world is often a private club—you came to dynamite it with a clay hammer.
Reject aesthetic authority,
that of galleries, academic standards, tie-wearing critics. Your work is a beating against conventions.


Incorrect Art in the Feminine (1). The female body
Nude is no longer a tribute — it's an insurrection
Classical sculpture exalted the female nude with restraint: bodies frozen in icy perfection. In Arson's work, this aesthetic is exploded . His carnal volumes don't flatter, they question. They slam like visual slogans, flirting with the indecent to better reveal the hypocrisy of the gaze.
Jenny Saville paints the body in its surgical rawness.
ORLAN manipulates her own face to question norms.
Arson , for his part, sculpts
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